WWIII Wargaming

[M-Type]

You figure it out send out the invites.

Roger that.

[Legbreaker]

True, it did seem easier than those rules. I do use the counters for my FtF game, mostly the vehicles. I have a set of blank counters that I use, too, so I can pencil in the names of PCs. Old Squad Leader counters get used a lot, too.

I use a bunch of old plastic soldiers and matchbox vehicles which are of a similar scale.
When I can get them back off my 7 year old son anyway.

[Tegyrius]

Has anybody here played any of the Ambush Alley series of wargames I have not but they have one dedicated to a "Cold War Gone Hot" (the game title).

I haven't had a chance to play (yet), but I own the Force on Force core rulebook, the Cold War Gone Hot sourcebook, and the Tomorrow's War sci-fi variant core book. Based on a couple-three readings and one very brief online interaction with the design team, my short take is that it's a promising rules system that could do with (1) a competent copyeditor and (2) a stronger understanding of the difference between house rules and professionally published product.

Most of my problems with the game are in the details of its execution. Conceptually, it makes me very happy. The core resolution system is simple and elegant, though the sheer number of optional rules hanging off that basic framework can be overwhelming on first encounter. Focus, as Chris noted, is on troop quality, not weapons - in short, the men, not the tools. Troop quality determines the type of dice you roll for just about everything (d6, d8, d10, or d12, with your target for all rolls remaining at 4), while more or bigger weapons just add more dice. The initiative system is something I wish I'd seen before I wrote Reflex's.

- C.

[raketenjagdpanzer]

It's not specifically WWIII related but has anyone ever played Tankwreck! I've wanted to give it a try for a while just never had the money for a set of the rules...

[Graebarde]

Adm. Lee I played the SPI series back when they came out.. I was in Fuerth Germany at the time, and the Cold War was still very much with us. It was gut wrenching in the Fulda Gap..


As to using figures for T2K, back when I started playing we had Saturday night sessions at a fellows place where he had FIVE 4x8 sheets of plywood and moveable terrain features complete with trees. First session I went to his place he had a 'diarama' (sp) set up of a village where the characters were (that night there were TWELVE players. When we got to Krakow he set up a section of the city, compete with walls... Gene (rip) had owned a hobby shop, and worked with models for years. There were BOXES and BOXES of buildings, vehicles, and figures, as well as mundane things he would put in a building that could be found if character entered the building.

He could field a US tanks and mech battalion on a scale of 1:1 for vehicles, also the same for the Soviets and British.. modern (cold war) or WW2, in which he brought out his German battalions.. all in HO.. quite a show it was..

We FINALLY convinced him it slowed the game WAY down to go to the work and detail, and to use items for reference.

Over the course of several years when it came to the Vistuala ride, I built a 'representation' of the tug, barge, and several other vessels in 1:96 water line from balsa when I was laid up for a month. They were a hit, but not the detail of a model.. they did serve the purpose.. We used them for our Going Home.. which ended the campaign in Boston Harbor.

haven't done a FTF in almost 20 years... or played any board games that I use to play regularly... Still have the GDW WW3 series though.

Ah the memories...

[Cdnwolf]

I have the PDF file of the GDW Third World War game with counters and maps. Anyone want a copy let me know. I also have the online version of
5'th Fleet game.

[Jason Weiser]

I haven't had a chance to play (yet), but I own the Force on Force core rulebook, the Cold War Gone Hot sourcebook, and the Tomorrow's War sci-fi variant core book. Based on a couple-three readings and one very brief online interaction with the design team, my short take is that it's a promising rules system that could do with (1) a competent copyeditor and (2) a stronger understanding of the difference between house rules and professionally published product.

Most of my problems with the game are in the details of its execution. Conceptually, it makes me very happy. The core resolution system is simple and elegant, though the sheer number of optional rules hanging off that basic framework can be overwhelming on first encounter. Focus, as Chris noted, is on troop quality, not weapons - in short, the men, not the tools. Troop quality determines the type of dice you roll for just about everything (d6, d8, d10, or d12, with your target for all rolls remaining at 4), while more or bigger weapons just add more dice. The initiative system is something I wish I'd seen before I wrote Reflex's.

- C.

Teg,
It's cool. But you've had the luxury of working for White Wolf for a long time, and to be honest, small companies like AAG (Osprey doesn't exercise day to day control) do their best on the writing front. We're a lot better than we used to be. As for the system and the "rules creep", name a rules set that has not happened to I can't. It's the story of gaming, we come up with a nifty new set of rules, and then like a darn Christmas tree, you end up hanging everything and it's mom off of it. But I am glad that you agree that the core works. And ultimately, that's what matters. Shawn and co have a great idea that works very well in a variety of applications. There are colonials and Civil War games with house rules using the system. It's not common, but people are doing it.

What do you tell people It's not my baby, I have some investment, but it's ultimately Shawn's. And since he and his wife are OOC at the moment, I'll just say what I think he'd say: "It's your game ultimately, and once you plunk the money down, it's yours to use and abuse."

[Tegyrius]

It's cool. But you've had the luxury of working for White Wolf for a long time, and to be honest, small companies like AAG (Osprey doesn't exercise day to day control) do their best on the writing front. We're a lot better than we used to be.

I'm surprised to hear that about Osprey. The impression I'd formed, based on their involvement as both publisher and art provider, was that they were heavily involved in production.

I'll admit that part of my copyediting gripe stems from the fact that I'm a writer who tends toward mentally rewriting everything he reads. With all due respect to AAG, though, if you're gonna play in the professional publishing field, you need to be publishing professional-grade English. I'm sorry, but the "small company" excuse doesn't sit well with me when I look at what companies like Posthuman Studios (three guys doing Eclipse Phase) are putting out.

Also, yeah, I wrote for the Wolf for a while, but don't forget the more recent gig I had with a much smaller firm. The Wolf has had its share of copyediting failures, too. I've thrown books across the room when I found grammatical errors in final product that weren't in the manuscripts I turned in, and I grit my teeth every time I see frickin' Scribendi given "editing" credits.

Having said all that, none of it breaks the game for me, and I suspect I'm in the tiny, tiny minority of readers who'd ever lose focus upon encountering inconsistent capitalization.

As for the system and the "rules creep", name a rules set that has not happened to I can't. It's the story of gaming, we come up with a nifty new set of rules, and then like a darn Christmas tree, you end up hanging everything and it's mom off of it. But I am glad that you agree that the core works. And ultimately, that's what matters. Shawn and co have a great idea that works very well in a variety of applications. There are colonials and Civil War games with house rules using the system. It's not common, but people are doing it.

What do you tell people It's not my baby, I have some investment, but it's ultimately Shawn's. And since he and his wife are OOC at the moment, I'll just say what I think he'd say: "It's your game ultimately, and once you plunk the money down, it's yours to use and abuse."

I'm getting the impression I wasn't very clear on the "house rules" criticism, so I'll try to re-state my issue here. I don't have a problem with the large number of special-case rules, and I don't see a lot of bad rules creep. As a designer, I tend toward excessive complexity myself, and it takes partners and playtesters smacking me upside the head to get me to recognize and pull out of my own textual box canyons. Almost all the breakages and unnecessary fiddly bits in Reflex are my fault. I like systems that give me verisimilitude without requiring an accounting degree, and I think the Carpenters did an amazing job of distilling a lot of things that are very complex in the real world and abstracting them into a game engine that simulates rather than models. As I said above, I wish I'd seen this stuff before I wrote Reflex, because they elegantly solved several problems I never was able to fix myself.

My "house rules" headache with AAG is directly tied to the Shawn quote that I bolded above. He's unerringly polite and professional in his interactions with his customers, but he just doesn't seem to get that we don't all live in his head or have his particular level of experience. My prime example for this is several threads I've seen on the AAG forums regarding SAWs versus LMGs versus MMGs/GPMGs and how they do or do not interact with the weapon team rules. Shawn's answer invariably has been some variation of that quote, which doesn't really answer the questions. As a designer, he probably had some specific set of rules for determining which support weapons fall into which classifications, and from there deciding which can and can't be the main weapon of a weapon team. But he seems incapable of articulating those criteria. I can't speak for anyone else in those threads, but the reason I look for "official" answers from a developer is because I want to follow the game's internal design logic but I can't deconstruct it myself. "Do what you want" does not help me attain my desired solution.

- C.

[Jason Weiser]

I'm surprised to hear that about Osprey. The impression I'd formed, based on their involvement as both publisher and art provider, was that they were heavily involved in production.

Not to speak out of school, they are involved. It's just they're a partner more than a controlling interest.

[dylan]

Sad to say but I'm with Tegyrius on both fronts regarding TW/FoF. TW in particular could have done with a lot more tidying up and proof-reading in the rules section. I get the feeling every time I try to play it that rather too much time was spent on the "optional" setting information and the cool illustrations rather than the core rules which are alternately repetitive and then vague. Many people say you need to have FoF to get the best out of TW, which appalls me.

The rules creep problem is again especially apparent in TW. The layering of sci-fi tropes over the original Ambush Alley mechanics is haphazard and confused. I still can't figure out why there is a need to have both pinning and suppression, and separate "combat fatigue" rules on top of that, all with different mechanics and effects.

[Targan]

I'll admit that part of my copyediting gripe stems from the fact that I'm a writer who tends toward mentally rewriting everything he reads. With all due respect to AAG, though, if you're gonna play in the professional publishing field, you need to be publishing professional-grade English. I'm sorry, but the "small company" excuse doesn't sit well with me when I look at what companies like Posthuman Studios (three guys doing Eclipse Phase) are putting out.

Also, yeah, I wrote for the Wolf for a while, but don't forget the more recent gig I had with a much smaller firm. The Wolf has had its share of copyediting failures, too. I've thrown books across the room when I found grammatical errors in final product that weren't in the manuscripts I turned in, and I grit my teeth every time I see frickin' Scribendi given "editing" credits.

Having said all that, none of it breaks the game for me, and I suspect I'm in the tiny, tiny minority of readers who'd ever lose focus upon encountering inconsistent capitalization.

I hear ya! I have similar problems watching TV news or listening to radio news bulletins. I'm the supervisor of a government media monitoring unit, creating and editing summaries of TV and radio news reports and radio talkback, speed-reading newspaper articles, feeding summaries, transcripts and audio-visual files to ministerial offices, checking and editing transcripts and training others in the afore mentioned skills.

When I'm sitting at home watching TV news I can't help summarising it in my head. I also can't help but automatically mentally spell and grammar check and otherwise edit anything I read, including forum posts and RPG rules.

[Jason Weiser]

Sad to say but I'm with Tegyrius on both fronts regarding TW/FoF. TW in particular could have done with a lot more tidying up and proof-reading in the rules section. I get the feeling every time I try to play it that rather too much time was spent on the "optional" setting information and the cool illustrations rather than the core rules which are alternately repetitive and then vague. Many people say you need to have FoF to get the best out of TW, which appalls me.

The rules creep problem is again especially apparent in TW. The layering of sci-fi tropes over the original Ambush Alley mechanics is haphazard and confused. I still can't figure out why there is a need to have both pinning and suppression, and separate "combat fatigue" rules on top of that, all with different mechanics and effects.

Hmm, I'll talk to Shawn about that. I can't say too much on why, NDA. But I will. It's some food for thought. I hadn't heard this issue with TW needing FoF before. Can you show me where people are saying this so I can relay it to Shawn when he gets back

[Adm.Lee]

Dang, I've gone and dug out my Dirtside II and Stargrunt II rules, and re-read them. They were cool rules sets, and I started to write some things toward applying them to 2300AD back in the day. They are eminently applicable to T2k, IMO.

Keep me posted on that someday PBEM game.

[M-Type]

Dang, I've gone and dug out my Dirtside II and Stargrunt II rules, and re-read them. They were cool rules sets, and I started to write some things toward applying them to 2300AD back in the day. They are eminently applicable to T2k, IMO.

Keep me posted on that someday PBEM game.

I hear ya! Never got too deep into Stargrunt II myself, I stuck mostly to the "bigger picture" stuff

[dylan]

If you ever wanted to know how TW2k evolved into 2300AD then some new material has come to light about GDW's meta-wargame 'The Game'. Dave Nilsen has re-surfaced and provided some information to Wayne's Books:

http://waynesbooks.com/TheGame.html