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  • Music in T2K

    Alt-rock band Cage the Elephant has a new song called, Black Madonna. As far as I can tell, it has nothing to do with the Virgin of Czestochowa but, of course, it got me thinking about T2K.

    We have a few scattered threads dealing on and off with music but I'd like to restart those conversations in a central location.

    What music makes you think about T2K

    Oddly, Al B Sure's late '80s slow jam, Nite and Day. It must have come on the radio when I was pouring over the v1.0 for the first time. Every time I've heard it since, I've been transported back to that special moment.

    What music inspires you to play T2K

    I've never played an Armies of the Night campaign, but I think Billy Joel's,Miami 2017 (Seen the Lights Go Out on Broadway) is a perfect soundtrack for that module.

    What are your thoughts on music in the T2KU

    I think music- live music, especially- would become even more important in the T2KU than it is today. Without electricity, there would be fewer entertainment options. Entertainment would hearken back to earlier times. That one annoying guy at the party that picks up an acoustic guitar and starts strumming Coldplay and singing "Yellow" would suddenly become more popular. Remember the scene near the end of 1917, when the runner encounters the unit in the forest, and the Tommies are all sitting around listening to the haunting voice of the company's best singer

    I can see music becoming a way to record and transmit history again. I reckon that bards/troubadours/minstrels would once again become a thing.

    Working record, cassette, compact disc, and MP3 players (depending on your timeline) and corresponding media would a valuable commodity.

    Surviving commercial radio transmitters, as well as broadcasting news/propaganda and whatnot, would play music to raise moral.

    Feel free to share whatever thoughts, recommendations, ideas, ect. you have about music as it pertains to T2K.
    Last edited by Raellus; 05-05-2020, 07:23 PM.
    Author of Twilight 2000 adventure modules, Rook's Gambit and The Poisoned Chalice, the campaign sourcebook, Korean Peninsula, the gear-book, Baltic Boats, and the co-author of Tara Romaneasca, a campaign sourcebook for Romania, all available for purchase on DriveThruRPG:

    https://www.drivethrurpg.com/product...--Rooks-Gambit
    https://www.drivethrurpg.com/product...ula-Sourcebook
    https://www.drivethrurpg.com/product...nia-Sourcebook
    https://www.drivethrurpg.com/product...liate_id=61048
    https://preview.drivethrurpg.com/en/...-waters-module

  • #2
    By 2000 I'm thinking very little "commercial" music due mainly to the lack of batteries and working players. Most will be live using whatever instruments are available.
    If it moves, shoot it, if not push it, if it still doesn't move, use explosives.

    Nothing happens in isolation - it's called "the butterfly effect"

    Mors ante pudorem

    Comment


    • #3
      Originally posted by Legbreaker View Post
      By 2000 I'm thinking very little "commercial" music due mainly to the lack of batteries and working players. Most will be live using whatever instruments are available.
      That's a good point.

      How common are hand-cranked "survival" radios in Europe (and elsewhere outside the U.S.)

      I can visualize a platoon rotating who plays "DJ" ( i.e. the unlucky fellow who pedals the bike-powered generator) so that the rest of the unit can listen to the radio or a cassette or whatever.
      Author of Twilight 2000 adventure modules, Rook's Gambit and The Poisoned Chalice, the campaign sourcebook, Korean Peninsula, the gear-book, Baltic Boats, and the co-author of Tara Romaneasca, a campaign sourcebook for Romania, all available for purchase on DriveThruRPG:

      https://www.drivethrurpg.com/product...--Rooks-Gambit
      https://www.drivethrurpg.com/product...ula-Sourcebook
      https://www.drivethrurpg.com/product...nia-Sourcebook
      https://www.drivethrurpg.com/product...liate_id=61048
      https://preview.drivethrurpg.com/en/...-waters-module

      Comment


      • #4
        Originally posted by Raellus View Post
        How common are hand-cranked "survival" radios in Europe (and elsewhere outside the U.S.)
        They exist in Australia, but not many are aware of them. Only sailors, serious hikers, etc really. Getting your hands on one could be another problem again, not to mention that without broadcasts, they're just another piece of useless crap you probably don't want to be carrying about.

        Perhaps a more important point is music is not very conducive to stealth and concealment. Only a unit with an idiot in command would consider music a good idea generally. In the middle of a cantonment, or rear echelon of a battalion plus sized unit then maybe, but otherwise, it's almost an invitation to be attacked.

        Civilians may be more lax especially in the early days, but having a working radio could be seen as a sign of relative wealth and again invite attack from marauders. By 2000, any travelling group will likely highly value avoiding attention, but within the "safety" of a settlement music of some sort will probably be fairly common (provided the overall morale isn't too low due to starvation, disease, etc). In those situations almost any type of music or entertainment could be greatly valued with strong interest shown in new records, CDs, tapes or even decent musical instruments and sheet music. When you've had only the same dozen CDs for 6 months ANYTHING different is good!
        If it moves, shoot it, if not push it, if it still doesn't move, use explosives.

        Nothing happens in isolation - it's called "the butterfly effect"

        Mors ante pudorem

        Comment


        • #5
          We know that in the canon there are low power AM stations still broadcasting - New America was using them for propaganda purposes - one of them was mentioned in Urban Guerrilla - thus there have to be people using car radios, hand cranked radios, battery powered radios to pick it up - but may be limited times - i.e. "we will be on from 6am to 9am every other day" kind of operations

          Also there are areas with power that is still on - Western NY from the generators at Niagara Falls, the area around Colorado Springs from the nuclear power plant there, etc - there you would have actual radio stations broadcasting and people listening to music on radios

          As to performers - betting there will be lots of live music of various kinds ranging from a couple of guys with guitars or a banjo and fiddle all the way up to established musical figures - can see Ted Nugent for instance (who was and is a major survivalist figure here in the US) still around and still performing

          Comment


          • #6
            Originally posted by Olefin View Post
            We know that in the canon there are low power AM stations still broadcasting - New America was using them for propaganda purposes - one of them was mentioned in Urban Guerrilla - thus there have to be people using car radios, hand cranked radios, battery powered radios to pick it up - but may be limited times - i.e. "we will be on from 6am to 9am every other day" kind of operations

            Also there are areas with power that is still on - Western NY from the generators at Niagara Falls, the area around Colorado Springs from the nuclear power plant there, etc - there you would have actual radio stations broadcasting and people listening to music on radios

            As to performers - betting there will be lots of live music of various kinds ranging from a couple of guys with guitars or a banjo and fiddle all the way up to established musical figures - can see Ted Nugent for instance (who was and is a major survivalist figure here in the US) still around and still performing


            I was actually just working on this.

            On YouTube you can find a lot of acoustic versions of popular music. For example, I'm going to have the party aware of someone playing Green Day's "Basket Case" in a bar or on a street corner and it drawing a larger crowd than it would have prewar.

            Places with a larger population might also have choirs, particularly more religious communities. There are choral versions of popular music as well.

            Comment


            • #7
              Suitcase Radio Broadcasting

              There is this option too

              Attached Files
              I will not hide. I will not be deterred nor will I be intimidated from my performing my duty, I am a Canadian Soldier.

              Comment


              • #8
                Originally posted by Olefin View Post
                Also there are areas with power that is still on - Western NY from the generators at Niagara Falls, the area around Colorado Springs from the nuclear power plant there, etc...
                How much of that power is for personal consumption is a big question though. My thoughts are priority would be given to vital industry, food production/processing, the military (again pretty heavily rationed though) and if there's anything left, then the general population might get a trickle for an hour or two.
                If it moves, shoot it, if not push it, if it still doesn't move, use explosives.

                Nothing happens in isolation - it's called "the butterfly effect"

                Mors ante pudorem

                Comment


                • #9
                  I imagine that anywhere a generator of any kind is available, you'd be likely to hear recorded music.

                  I also think travelling musician would become a viable career c.1998 and beyond, at least in areas where banditry wasn't a big problem. I can see road shows with musicians, actors, jugglers, magicians, and other live entertainers travelling from town to town, playing for food and shelter.

                  If you haven't read Station 11, by Emily St. John-Mandel, I recommend it. It's mostly set 20 years after a Swine Flu pandemic kills off most of the world's population and features a troupe of travelling performers in the Great Lakes region of the U.S.
                  Author of Twilight 2000 adventure modules, Rook's Gambit and The Poisoned Chalice, the campaign sourcebook, Korean Peninsula, the gear-book, Baltic Boats, and the co-author of Tara Romaneasca, a campaign sourcebook for Romania, all available for purchase on DriveThruRPG:

                  https://www.drivethrurpg.com/product...--Rooks-Gambit
                  https://www.drivethrurpg.com/product...ula-Sourcebook
                  https://www.drivethrurpg.com/product...nia-Sourcebook
                  https://www.drivethrurpg.com/product...liate_id=61048
                  https://preview.drivethrurpg.com/en/...-waters-module

                  Comment


                  • #10
                    Originally posted by Raellus View Post
                    I imagine that anywhere a generator of any kind is available, you'd be likely to hear recorded music.
                    I think you're right, provided of course it's safe to do so and the tech is available. Nobody has survived to 2000 by being stupid and attracting unwanted attention.
                    Some locations may be different though, but they're more situational - a religious group for example who blame technology for the destruction and death.
                    Another group who are quite happy using all sort of tech might naively equate "radios" with "radiation". All's going nicely with negotiations wrapping up and the PCs decide to play a little music - boom!
                    If it moves, shoot it, if not push it, if it still doesn't move, use explosives.

                    Nothing happens in isolation - it's called "the butterfly effect"

                    Mors ante pudorem

                    Comment


                    • #11
                      Originally posted by Legbreaker View Post
                      How much of that power is for personal consumption is a big question though. My thoughts are priority would be given to vital industry, food production/processing, the military (again pretty heavily rationed though) and if there's anything left, then the general population might get a trickle for an hour or two.
                      Both Niagara Falls and the nuclear power plant near Colorado Springs would have more than enough power to spare. And there has to be power for people to be listening to radios - most likely it would be a couple of community radios working on a trickle charger to keep the batteries going - something like Soylent Green where Saul has to ride the bike to keep the batteries charged when the power goes out. We arent talking a hundred houses with radios all blaring - probably one at the local gathering hole whatever that is or at the local outdoor market. And one or two others. And you dont need a lot of power for a radio station - not if its low power AM radio. We arent talking huge FM high power radio station here - more likely one guy sitting behind a microphone and an old cassette or CD player and a transmitter and not much else

                      Comment


                      • #12
                        Originally posted by Olefin View Post
                        Both Niagara Falls and the nuclear power plant near Colorado Springs would have more than enough power to spare.
                        We've discussed this in the past on numerous occasions. Generation isn't the problem, it's transmitting the power to where it's needed.
                        If it moves, shoot it, if not push it, if it still doesn't move, use explosives.

                        Nothing happens in isolation - it's called "the butterfly effect"

                        Mors ante pudorem

                        Comment


                        • #13
                          Music for the Masses

                          Quite a few East Bloc youths were fascinated with Western popular music. I was aware of Billy Joel's Soviet tour and a Heavy Metal monsters of rock festival behind the Iron Curtain, but I was not aware of Depeche Mode's influence there (and I'm a fan).



                          Music could be a language of peace. Has anyone ever used music in-game*, as a plot device

                          *I have a Latvian ex-Red Army PC who was muscle for a smuggling ring in Riga before the war. As a result, he had access to Western pop music. (his favorite are Iron Maiden and Madonna).

                          -
                          Last edited by Raellus; 02-09-2021, 02:07 PM.
                          Author of Twilight 2000 adventure modules, Rook's Gambit and The Poisoned Chalice, the campaign sourcebook, Korean Peninsula, the gear-book, Baltic Boats, and the co-author of Tara Romaneasca, a campaign sourcebook for Romania, all available for purchase on DriveThruRPG:

                          https://www.drivethrurpg.com/product...--Rooks-Gambit
                          https://www.drivethrurpg.com/product...ula-Sourcebook
                          https://www.drivethrurpg.com/product...nia-Sourcebook
                          https://www.drivethrurpg.com/product...liate_id=61048
                          https://preview.drivethrurpg.com/en/...-waters-module

                          Comment


                          • #14
                            I can see traveling musicians and singers literally "singing" for their supper - think the Postman movie and how he was traveling around and performing Shakespeare at various towns in exchange for food and water. Most likely it would be the same in T2K. Think Jewel, who in real life literally went from place to place singing from her supper before she had her big break

                            Its actually mentioned in the Survivors Guide to the UK that the entertainment at most pubs was either live music/singing or someone with a record or cassette or other player.

                            You could also see music being played over a central loudspeaker in a town as well - a la MASH or Shawshank Redemption
                            Last edited by Olefin; 02-09-2021, 02:17 PM.

                            Comment


                            • #15
                              Originally posted by Raellus View Post
                              Music could be a language of peace. Has anyone ever used music in-game*, as a plot device

                              *I have a Latvian ex-Red Army PC who was muscle for a smuggling ring in Riga before the war. As a result, he had access to Western pop music. (his favorite are Iron Maiden and Madonna).
                              In my character/team concept slush file, I have a second-tier washed-up '80s metal or hair band that was doing a USO tour for the troops when the war went nuclear. Forced to take up arms to survive, they joined the closest American unit. Most of them somehow survived the war. By 2000, they're actually somewhat-competent combatants, but they'd rather treat a trip across Europe as a concert tour than a traditional T2k katabasis.

                              - C.
                              Clayton A. Oliver • Occasional RPG Freelancer Since 1996

                              Author of The Pacific Northwest, coauthor of Tara Romaneasca, creator of several other free Twilight: 2000 and Twilight: 2013 resources, and curator of an intermittent gaming blog.

                              It rarely takes more than a page to recognize that you're in the presence of someone who can write, but it only takes a sentence to know you're dealing with someone who can't.
                              - Josh Olson

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